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THE BLURRY JOURNEY
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It’s Sunday, so we must be in Albuquerque. I wake from a nap after touring
a museum and a dozen shops around the old town Plaza. Sunshine today. I
remember a few days ago when we were in snow. |
Fat Tuesday came and went. We were in Moab, I think. The big thing I remember
about Fat Tuesday – that originated when Christians ate up anything they
were giving up for Lent that might spoil – was the State of the Union address
where the President was trying to sell the idea of giving tax money back
to the people. Not a hard sell, I guess, since most people want money from
wherever. |
We moved on to visit some very elderly ladies in Denver. They won’t see
a dime of any tax return for the people. In fact, they believe a tax return
will take away any chance of their getting money for prescription drugs
the politicos promised to pay for during the campaign. One lady’s doctor
wanted her to take drugs that cost $200 a month. Medicare won’t pay, even
for low-income elderly ladies, so they do without. |
I’m on a vacation trip with miles to go, so these thoughts kind of run
together and never get properly resolved. |
We meet a fellow whose wife just got a teaching job. She’s happy to have
a teaching job. She got it because of special skills that were needed in
an over-crowded classroom of under-achieving kids who needed special aid.
The special aid, such as school counselors and social workers, is no longer
in the budget. As in many places, the classroom teacher is expected to
do it all. |
That didn’t get fully processed before we were in an art museum, seeking
cultural advancement. We saw a great show of sculpted and painted dogs
called “Hounds in Leash.” One caption read, “If a dog is your best friend,
you’ve got problems.” |
We emerged from that exhibit to enter one of children’s art. Jean especially
loves children’s art, so we were prepared to enjoy that exhibit called,
“Childhood Revealed.” It was a painful and heart-opening few minutes. Some
were by children with life-limiting diseases that they were suffering at
6 or 16, that should not be suffered until age 86 or 106, if ever. Pictures
of fear, uncertainty, acceptance and hope. |
Others were by children carrying the memories of abuse of all kinds. Their
insides were exposed in their paintings. Not pretty pictures. Some children
portrayed themselves in states of depression and sadness and anger and
hurt. Many of these children were products of homes that did not welcome
them. Their pictures were often contrasts of dark and light, death and
life, hope and despair. |
These same children are found every day in the schools that are forever
having to cut away funds from the very programs that might be of most help
to such children. Counseling, art, music, drama and physical education. |
The blur was in my head, my heart and my eyes. |
Outside, the sun was shining. Couples were strolling along the Plaza, hand
in hand. A group of bicyclists was having coffee and laughter at the Zane
Graze Café. Small children were climbing on the statues outside
the Art Museum. Laughing, running, jumping, like children are supposed
to do. |
People were pouring out of the Plaza Church, just as they have been doing
for the last 300 years or more. Vendors were trying to get them to buy
the Sunday paper, the one with the feature story about coyotes creating
problems by coming into the neighborhoods. I hoped that whatever religion
they got in that place would inspire them to let some of their tax money
go to pay for medicine for old people that need it, and for the kinds of
schools that could make life better for the children whose artwork I had
just seen. |
I just wrote this down. It’s part of a blurry journey that will be mostly
remembered by way of glossy, colored photos of happy people in beautiful
places, oftentimes in nice restaurants. The highway miles fly by, as do
the hours and days. So many things to think about, but so little time.
The moments are like pickets on a fence, viewed as you pass at 70 miles
per hour. |
Maybe it helps to close the eyes for a time and dream good dreams while
the blurry journey moves on.
Art Morgan – March 2001
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